Part 2 of an exclusive interview with Pastor Joe Schimmel of Blessed Hope Chapel in Simi Valley, CA
Shofarsound: There’s hardly a TV show now that doesnt have a “well adjusted” homosexual character. Is this intentional?
Pastor Joe: That’s a great question. Tragically, almost anything that is treated favorably by Hollywood and mass media becomes infectious and catches on, even if it is deadly. Humans are very impressionable and easily led by the liberal media. Television shows and movies have been a powerful weapon in Satan’s arsenal to erode godly morals among the American populace.
Oprah Winfrey, who influences millions, promoted homosexuality when she made a cameo appearance on Ellen DeGeneres’ “Coming Out” Episode. Since Oprah claims to be a Christian when in fact she is a new ager, she has duped God only knows how many biblically uninformed Christians on the issue.
Television shows that promote homosexuality are too numerous to list, but in the last couple of years shows like “Degrassi,” “Grey’s Anatomy,” “Pretty Little Liars,” and “Glee” are at the top of the list, when it comes to glamorizing the sin of homosexuality. Many of these TV shows receive awards from the homosexual organization GLAAD for their promotion of homosexual lifestyles. Wise parents will protect their children from being enticed by programming that is intended to program their little ones with gay propaganda.
In “The Overhauling of Straight America,” authors Kirk and Erastes Pill, advocate this strategy to propagate the gay agenda:
“Where we talk is important. The visual media, film and television, are plainly the most powerful image-makers in Western civilization. The average American household watches over seven hours of TV daily. Those hours open up a gateway into the private world of straights, through which a Trojan horse might be passed … So far, gay Hollywood has provided our best covert weapon in the battle to desensitize the mainstream” (Marshall K. Kirk and Erastes Pill, “The Overhauling of Straight America.” Guide Magazine, October and November 1987 [emphasis added].
Consider the following revealing stratagem from a popular manual, advocating homosexual propaganda, by Harvard trained gay activists Marshall Kirk and Hunter Madsen:
“… Famous historical figures are especially useful to us for two reasons: first, they are invariably dead as a doornail, hence in no position to deny the truth and sue for libel. Second, and more serious, the virtues and accomplishments that make these historic gay figures admirable cannot be gainsaid or dismissed by the public, since high school history textbooks have already set them in incontrovertible cement. By casting its violet spotlight on such revered heroes, in no time a skillful media campaign could have the gay community looking like the veritable fairy godmother to Western civilization” (Marshall Kirk and Hunter Madsen, After the Ball).
We can look at just two of the top movies that came out in the month of June 2011 to see how this propaganda works. The latest X-Men movie (X-Men: First Class) was number one at the box office and very few of the millions who viewed it, knew that they were being indoctrinated by a subversive gay propaganda film.
X-men films develop the theme of various X-men discovering their superpowers, as they struggle with their various mutations and societies reluctance to accept their “coming out,” with their superpowers. Unbelievably, some behind the X-Men movies want their audience to see X-Men as superheroes “coming out,” as analogous to gays coming out of the closet, and their superpowers, as analogous to homosexual lifestyles.
Gay X-Men screenwriter Dan Harris, who wrote the screenplay for X2 with gay screenwriter Michael Dougherty, admitted that he sees X-Men mutancy, and the X-Men’s struggle for acceptance in society, as corresponding to homosexuality:
“…. it’s become more a metaphor for sexual identity and orientation because it’s more appropriate to look at a person and have to say, ‘Are you a mutant?’…. you can’t always look at a person and know that they’re a mutant just like you can’t look at a person and know that they’re gay” (Filmfreakcentral.net critic Walter Chaw, X2).
Openly gay X-Men Director, Bryan Singer, has not only directed most of the X-Men movies but recruited openly gay activist actor Ian McKellen, to star as Magneto, by convincing him that mutants were comparable to struggling gays. McKellen stated “I think he expected that I was going to consider it a not posh-enough job,” but revealed that he was told that X-Men is really about Lesbain, Gay, Bisexual and Transgender people. “I thought he was right,” says McKellen. “It’s not just a fantasy story. It’s a parable.” McKellen is a co-founder of the LGBT gay activist group Stonewall.
McKellen further stated “[The producers] will tell you one of the demographics that X-Men appeals to is young gays…. There are enough people in this world who think that the answer to the ‘problem’ of being gay is to be ‘cured’ of your abnormality.” Thus in McKellen’s mind, rather than view sex between two men as immoral behavior, why not portray it as positive genetic mutation, on the level of the fantastic powers of a superhero?
Homosexual William Earnest in his article “Making Gay Sense of X-Men,” admitted “Singer and his screenwriters equipped X-Men and X2 with the rhetorical stealth needed to fly below the gaydar of many critics and audience members.” [source]
In the latest X-Men installment, when an X-Men who works for the US military is asked how he got away with being discovered through the years, he replies “Well, they didn’t ask, and I didn’t tell.” An obvious reference to the “don’t ask don’t tell” policy regarding homosexuality in the U.S. military. Thus the line is drawn from this X-men’s superpower to homosexuality, and Hollywood has gone a step further than simply legitimizing what billions of people deem to be sinful and destructive behavior, to glorifying it as something to be coveted like a
When we turn to Pirates of the Caribbean, which like X-Men, has been one of the most successful series of movies ever released, we see similar brainwashing. Johnny Depp admits that he read the book “Sodomy and the Pirate Tradition,” to prepare for his staring role as Captain Jack Sparrow.
Famous Film Reviewer, Robert Ebert wrote: “Depp seems to be channeling a drunken drag queen with his eyeliner and the way he minces ashore and slurs his dialogue ever so insouciantly.” When Rolling Stone asked Depp about the “certain gay undercurrent” so obvious in his Jack Sparrow’s character, Depp responded:
“Well, there was a great book I read…. ‘Sodomy and the Pirate Tradition.’ A very interesting book. I wasn’t exactly going for that with the character. And Keith [Richards] is not flamboyant in his actions. Keith is pretty stealth. But with Jack, it was more that I liked the idea of being ambiguous, of taking this character and making everything a little bit…. questionable. Because women were thought to be bad luck on ships. And these pirates would go out for years at a time. So, you know, there is the possibility that one thing might lead to another. You’re lonely. You have an extra ration of rum. ‘Cabin boy!’” (Rolling Stone, July 2006, p. 50).
Sadly, millions of parents had no idea that Depp had inculcated aspects of a homosexual pirate into his character. Children who are enticed by this character, are led to believe that since Captain Jack is portrayed as a hero, that wearing eye shadow and acting effeminate is the stuff heroes are made of today, unable to always discern the difference between fact and fiction. Gay activist Darrell Risk, in his article “Are Homosexual’s Born That Way?” acknowledges the infectious nature of homosexuality, when young people are exposed to it:
“I have found that even many of my most unbiased straight friends grow skittish with my homosexual candor—say, kissing my mate—when their children are around. Underneath it all, they too understand that sexually free ideas are infectious and that, once introduced to the suggestion of same sex love, their kids might just try it and like it” (Darrell Risk, ‘Born?’ p. 424).
In light of Darrell Risk’s admission that his own public sexual expression has the power to “infect” children who witness it, how much more are the purposely-seductive characters of Jack Sparrow, the X-Men and other Hollywood caricatures and story lines, enticing and infecting millions of our children? Harry Hay, the founder of the gay liberation movement stated, Everyone, even heterosexual people, all have the potential to have that fairy spirit.”
Perhaps no movie has been quite as successful in propagating homosexuality as natural and normative as Brokeback Mountain. To get an understanding of how this movie manipulated the public we can look at a piece of propaganda created out of thin air by the father of the sexual revolution here in America, Alfred Kinsey. Kinsey was exposed for fabricating bogus numbers, when he claimed that 10 percent of Americans are homosexual. Subsequent studies revealed that the truth ended up being between two and three percent. Kinsey was found to have inflated his statistics by interviewing large numbers of prison inmates and prostitutes.
Kinsey also made bogus claim that a disproportionate number of cowboys, who ride their horses in the open range, are in fact gay and hook up with each other to have homosexual encounters. Kinsey never showed any study that would suggest such was the case. I mention this because Kinsey was trying to get America away from the effeminate stereotype of homosexuals that repulsed so many people. Kinsey sought to cast homosexuals as real men. What Kinsey may have done though, was take a page from a Marlboro cigarettes advertising campaign that popularized Marlboro among men just a few years earlier than Kinsey’s wild assertion.
Since 1924, Marlboro was marketed to women, as they were originally designed with a red band around the filter to hide lipstick and advertised as “Mild As May.” In the 1950’s, after cigarettes were proven to cause cancer, Phillip Morris wanted to attract men to his filtered cigarettes, men who would never use filters in the past. How could he get men to smoke what was previously billed a women’s cigarette? Simple: reposition Marlboro as a man’s cigarette by placing it in the mouth of a rugged cowboy. This cowboy, depicted on thousands of billboards nation wide, came to be known as the Marlboro Man. In a matter of months Marlboro went from a market share of less than less one percent to one of the best selling brands in the United States!
Ironically, even though homosexuality is often more deadly than smoking, Hollywood, like Kinsey, sought to make homosexuality acceptable by using a page out of Phillip Morris’ playbook. The licentious movie Brokeback Mountain, recast homosexuality as a lifestyle akin to a healthy masculine cowboy. Kinsey would have been proud!
Shofarsound: Can you give a little more detail on Michael Swift’s comments in the Gay Community News that you mention in your CD expose’ Satanism and Homosexual Agenda?
Pastor Joe: Homosexual activist Michael Swift flaunted gay aspirations in the Gay Community News piece entitled “Gay Revolutionary” as he envisioned a gay utopia:
“We shall sodomize your sons, emblems of your feeble masculinity, of your shallow dreams and vulgar lies. We shall seduce them in your schools…. in your youth groups, in your movie theater bathrooms…wherever men are men together. Your sons will become our minions and do our bidding. They will be recast in our image. They will come to crave and adore us” [Michael Swift, Gay Community News, 15 February 1987].
What I find chilling, is that while some of Swift’s statements in the piece are somewhat satirical and inflammatory, is that many of the things he articulates as gay aspirations, with regard to our children, are already happening in our “youth groups…. movie theater’s [and] bathrooms” every day.
GCMW Note: Homosexual activists claim the Swift peice was only intended to be taken as “satire”.
Shofarsound: So can we assume that Swift’s revisioning of America under a homosexual rule is coming true?
Pastor Joe: My comments on the question you asked earlier about the media and Hollywood, reveal that they are indeed seeking to “recast” our children in their “image,” as Swift states. Marshall Kirk and Hunter Madsen detail a three-stage plan to homosexualize America in their book, After the Ball. They describe the plan to further the gay agenda and homosexualize America as a threefold plan, “desensitize, jam, and convert.”
The first stage is to desensitize by inundating the public with a “continuous flood of gay-related advertising, presented in the least offensive fashion possible.” They go on to say, “The main thing is to talk about gayness until the issue becomes thoroughly tiresome . . . If you can get [straights] to think [homosexuality] is just another thing—meriting no more than a shrug of the shoulders—then your battle for legal and societal rights is virtually won.” The second stage, “Jamming,” is described as “psychological terrorism meant to silence expression or even support for dissenting opinion.” The third stage is “Conversion” and they define it as the “conversion of the average American’s emotions, mind, and will, through a planned psychological attack, in the form of propaganda fed to the nation via the media” (Selling Homosexuality to America,” Regent Law Review, Volume 14, Number 2, Spring, 2002, available at www.regent.edu)
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